Steve Howe: A Deep Dive into the Guitar Virtuoso’s World

Steve Howe, a legendary guitarist, has significantly impacted progressive rock and beyond. Are you seeking expert advice on musical mastery or navigating the challenges of a creative career? At HOW.EDU.VN, our team of experienced PhDs can provide tailored guidance to help you achieve your goals. Gain insights into Steve Howe’s journey, his unique playing style, and the lessons he offers aspiring musicians and professionals alike.

1. The Enduring Legacy of Steve Howe in YES

Chris Squire’s relentless drive was pivotal in propelling YES forward. Steve Howe acknowledges Squire’s unwavering commitment to the band and his desire for its continued success. Squire entrusted his friend Billy Sherwood to carry on his legacy, a decision the band embraced. Howe emphasizes that Squire’s contributions remain integral to YES’s identity and his family’s heritage.

2. Exploring YES’s “Album Series” Tours

Steve Howe championed the “Album Series” tours, aiming to showcase YES’s extensive discography. The band had already performed classics like “Fragile,” “Close To The Edge,” “Going For The One,” and “Drama.” Howe suggested performing “Tales” sections 1 and 4, acknowledging the complexity of sections 2 and 3. The “Drama” album’s return, featuring Geoff Downes, was met with enthusiasm, particularly the performance of “Machine Messiah.” While the summer tour in the USA didn’t feature a specific album, Howe confirmed plans to continue the “Album Series” in the coming year.

3. The Camaraderie and Chemistry Within YES

The current YES lineup enjoys exceptional camaraderie, enhancing their onstage and offstage performances. Steve Howe attributes this to a balance within the band, fostering friendliness, warmth, and contentment. He emphasizes the importance of thorough preparation before tours, an approach Tony Levin pioneered. This dedication to mastering their parts cultivates respect among the members, leading to exciting and cohesive performances.

4. The Future of YES Studio Albums

The question of a new YES studio album arises frequently. While acknowledging the anticipation for new music, Steve Howe notes the band’s focus on their iconic 70s material. He stresses the need for compelling material that warrants recording, requiring further writing and collaboration. Howe anticipates working with Jon Davison on new compositions, similar to their contributions to “Heaven & Earth.” He underscores that YES albums thrive on collaboration, transforming simple ideas into elaborate arrangements that showcase the band’s musicianship.

5. YES’s Induction into the Rock and Roll Hall of Fame

Steve Howe expresses gratitude for YES’s long-awaited induction into the Rock and Roll Hall of Fame. He sees it as a recognition for the fans and the band, acknowledging the delay but appreciating the honor. Howe anticipates surprises during the induction evening.

6. The Possibility of a YES Reunion Tour

The prospect of a YES reunion tour has been widely discussed. Steve Howe clarifies that communication lines must be open for such an event to occur. He suggests that ARW (Anderson, Rabin, Wakeman) may not be interested, and YES might share that sentiment. Howe dismisses the idea of reinventing the “Union Tour,” stating that neither YES nor ARW endorses it. While celebrating YES’s 50th anniversary is possible, the complexities involved make a reunion tour unlikely in the foreseeable future.

7. Celebrating YES’s 50th Anniversary in 2018

Plans for YES’s 50th anniversary in 2018 are underway. Steve Howe promises an announcement soon, aiming to keep fans’ anticipation high.

8. Maintaining Energy and Avoiding Health Issues on Tour

Despite a demanding touring schedule, Steve Howe remains energetic and proactive in maintaining his health. Approaching 70, he emphasizes “less is more,” carefully planning to avoid overexertion. He values the enjoyment derived from performing and involves others in decision-making. Howe attributes his balance to good food, a positive mental attitude, respect for himself and others, and avoiding unnecessary stress. Leaving Asia was partly due to the relentless pace of juggling multiple projects. Now, he prioritizes a month off between projects to attend to personal life and other commitments. A vegetarian diet since 1972 and altered state meditation since 1983 have significantly contributed to his well-being and musical creativity. He maintains perspective, recognizing that events like the Rock & Roll Hall of Fame involve multiple acts and aren’t solely focused on YES.

9. The Buggles’ Integration into YES During the “Drama” Era

Steve Howe describes the integration of The Buggles into YES during the “Drama” years as seamless. He was amazed by the instant chemistry and the intense energy during the album’s creation at Townhouse Studios. Working with Hugh Padgham and Trevor Horn resulted in a great team dynamic and lovely music. Roger Dean’s return to design the album sleeve further enhanced the experience. While the album was easier to perform in America, it faced initial resistance in the UK. Despite this, Howe emphasizes the album’s unique atmosphere and its well-deserved place in the “album series.”

10. Progress on Steve Howe’s Next Solo Album

Steve Howe is currently working on a new solo album, which he describes as exciting. He anticipates announcing more details upon its completion. Howe has also been collaborating with Dylan Howe on a trio album and with Virgil Howe on a duo record. These projects have contributed to his decision to create more space in his schedule since 2012.

11. Touring the States Solo with His Sons

Touring the United States solo with his sons appeals to Steve Howe, but scheduling conflicts with YES make it challenging. While he can easily tour the UK solo, organizing tours in other countries requires more extensive arrangements. He fondly recalls his last solo tours in America, dating back to 2008 or 2010. Howe hints at a future vehicle that could make a full band tour feasible.

12. The Mystery of the Swimmer on “The Steve Howe Album” Cover

Steve Howe recalls the collaborative process with Roger Dean for “The Steve Howe Album” cover. The addition of a swimmer in the pond was initially intended to enhance the sense of movement. However, both Howe and Dean began to prefer versions without the swimmer. The reason for its inclusion remains unclear, but it was never explicitly decided to remove it.

13. Steve Howe’s Guitar Playing Habits When Not Touring

When not touring, Steve Howe typically takes a week’s break before playing guitar again. He emphasizes the importance of maintaining playing technique to avoid significant setbacks. While he enjoys these breaks, he quickly returns to a good level through practice. Howe practices playing songs but avoids formal guitar exercises, preferring improvisation and exploring musical ideas.

14. Revolutionizing the Steel Guitar Sound

Steve Howe’s unique steel guitar technique, combined with volume pedals and effects, has revolutionized the instrument’s sound. Inspired by steel guitarists like Steve West and Santo & Johnny, he sought to replicate their sounds on guitar. His first lap steel was a Gibson, acquired during the Bodast era in 1969. On “Fragile,” he used a bottleneck to create ambient sounds. By “Relayer,” he was a determined steel player, recognizing its distinct possibilities. “Going For the One” symbolized his freedom to explore steel guitar, leading to its prominent use in “Awaken” and “To Be Over.” Howe expresses enthusiasm for further steel guitar exploration and hopes to take more lessons.

15. Recalling the Outro Solo on “Starship Trooper”

Steve Howe recalls using two guitar solos panned left and right for the outro solo on “Starship Trooper.” The solos alternated between G, Eb, and C. He believes he used a Gibson Fuzz Tone to boost the sound, rather than a Marshall fuzz box or amp. The guitar was a 175 Gibson through a Dual Showman, turned up loud. Eddy Offord played a crucial role in compressing the guitars to achieve a great sound. The clean guitar was also run through a flanger or Eventide phaser.

16. The Guitar-Amp Combination for “The Grand Scheme Of Things” Solo

Steve Howe believes the guitar tone on the solo section of “The Grand Scheme Of Things” may have been achieved with a Rockman. He was particularly fond of the Rockman during the 80s, finding it inspiring and exciting. While he can’t guarantee its use, he associates the solo’s meandering and powerful sound with the Rockman.

17. Steve Howe’s Perspective on Playing the Blues

Steve Howe explains that he doesn’t actively pursue playing the blues due to the genre’s strong commercial and visual associations. He prefers country blues, citing Big Bill Broonzy as an influence. However, he acknowledges incorporating bluesy elements in his music, such as on his album “Elements.” While he has blues recordings set aside, he’s unlikely to release a dedicated blues album. He aims to create something unexpected, a twist on his writing. “Where I Belong” from “Elements” exemplifies this approach, blending blues with a country tinge. Howe expresses immense respect for blues legends like Buddy Guy and Eric Clapton. His avoidance of the blues stems from his early experiences in bands like The Syndicats, where he played straight-ahead blues. He prefers to bring something new to the genre, as demonstrated in “Run Through The Light” from “Drama.”

18. Potential for More Guitar Lessons with Up-to-Date Songs

Steve Howe appreciates the suggestion of providing more guitar lessons with up-to-date songs like “Laughing With Larry.” He recognizes the complexity of such pieces and is seeking a suitable methodology for teaching them. He recently conducted a Skype session with a school in the States, indicating his interest in future online lessons. He believes that watching other guitarists, like Chet Atkins, can be highly beneficial.

19. Advice for Aspiring Guitar Players and Songwriters

Steve Howe emphasizes that becoming a better guitar player and songwriter takes time and practice. Being comfortable with your playing and finding enjoyment in it enhances your sense of purposefulness. He cites George Harrison as an example of someone who used their resources well to achieve their goals. Having goals and manifesting them into the kind of player you want to be is essential. Technique should serve the purpose of enabling you to play what you want. Focus on finding your sound and exploring your own music. Technique is a means to an end, not the end itself. Howe acknowledges that he reached a point where he enjoyed music without needing to focus on technique. He continues to learn new tricks and be inspired by other players. Ultimately, musicians are sound merchants.

20. Finding Your Own Sound and Style

Steve Howe admits he wasn’t always aware of having his own sound, even in the early days. Throughout the 70s, he experimented with different guitars to discover his sound. After a decade, he identified his favorite guitar but continued to use others for variety. Discovering your sound requires knowing it yourself as much as getting the world to like it. Choosing equipment that helps you achieve your desired sound is crucial. Howe found another voice through the steel guitar. Despite initial concerns, “Roundabout” proved that he could make an acoustic guitar sound recognizable as his own. He can identify guitarists from just a few notes, highlighting the importance of developing a unique style.

21. Steve Howe’s Favorite Guitar for Jamming

Steve Howe’s all-time favorite guitar is his Gibson ES 175 1964. He also enjoys playing his Martin MC28 acoustic guitar, which he acquired in the early 80s. For electric guitar, he enjoys playing his Steinberger GMT 40. Having a small arsenal of guitars that you feel happy with is ideal.

22. The Strings Steve Howe Uses for Acoustic and Classical Guitars

Steve Howe’s choice of strings varies over time. He often returns to certain brands. When unsure, he uses Martin light gauge strings for his Martins. He adjusts the gauge based on his playing style. Martin strings are generally reliable. He compares strings to cars, noting that most are good. While he avoids gimmicky coated strings, he appreciates the brightness of new strings. He always uses new strings on his 175, as archtop guitars benefit from them.

23. Best Memories Working with Asia and John Wetton

Steve Howe recalls the last album he made with Asia, “XXX,” as a highlight. He felt close to John Wetton and Geoff Downes during that time. He values the collaborative songs they wrote together. Howe appreciates John’s songwriting, singing, and bass playing. He cherishes the one-on-one time he had with John, particularly during a hotel stay in Durham or Berkeley-on-Trent. They discussed resolving problems and the importance of love and support. Howe admired John’s emotional depth, soulful singing, and consistent performances.

24. Why Steve Howe Doesn’t Shake Hands

Steve Howe explains that he avoids shaking hands to protect his hands for playing guitar. He is concerned about hand injuries that could affect his ability to perform. While he may gently shake hands with people he knows well, he generally avoids it altogether.

25. Steve Howe’s Favorite New Bands

Steve Howe’s favorite recent bands include The Libertines, Babyshambles, and Alison Krauss & Union Station.

26. Steve Howe’s Favorite Book

Steve Howe is currently reading “The Sound Of Silence,” a book about Paul Simon. He also enjoys health books and books about science, particularly Brian Greene’s “The Fabric of The Cosmos” and “The Art and Science of Healing.” He appreciates books about music and reality.

27. Steve Howe’s Favorite Cheese

Steve Howe’s favorite cheese is Gruyère from Switzerland. He also enjoys Cheddar cheese.

28. Appreciation for Steve Howe’s Music

Fans express their gratitude for Steve Howe’s inspirational and magnificent guitar playing.

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